Curry is the Rev. Ray Porter\, who runs a \;Pentecostal \;faith healing \;and televangelism empire based in \;Arkansas. A small group of stereotypical rednecks\, one of whom was bilked out of her inheritance by Rev. Porter&rsquo\;s ministry and another of whom just got out of prison\, try to rob Porter&rsquo\;s ministry. A series of wrong turns inside the church during the robbery leads the robbers onstage right in the middle of a broadcast\, and the three robbers turn what was supposed to have been just a robbery into a hostage situation.
\n\nDuring the hostage negotiations\, a series of snowballing scandals involving the ministry come to light. The robbery\, hostage taking\, and scandal revelations all are broadcast live over \;satellite television \;as locals gather in bars to watch. Rev. Porter and the robbers develop a rapport during the hostage situation that resembles shop talk among thieves as they discuss the best ways of investing stolen money.
\n\nOne comic subplot involves the Christian network&rsquo\;s producer\, a drug-addled electronics wizard named Stonewall who decorates his workspace with \;Pink Floyd \;posters\, but was hired by the network because &ldquo\;he has found the Lord&hellip\;he told us so himself.&rdquo\;
\n\nAnother subplot involves a local sheriff\, an archetypal redneck whose duck-hunting trip was interrupted by the incident\, who seems to sympathize with the would-be robbers. The film is partly about his moral struggle in trying to enforce the law when his sympathies lie elsewhere. He just wants to see the situation end with nobody getting hurt\, and he butts heads with the network&rsquo\;s owner and federal agents who demand harsher action.
\n\nThe owner of the satellite network\, whose character is based on \;Jerry Falwell\, demands that the \;National Guard \;be called in leading to a siege and climactic ending.
\n